Showing posts with label alex perry. Show all posts
Showing posts with label alex perry. Show all posts

Monday, 24 October 2011

King Flinn


The live finale of Australia's Next Top Model is tomorrow night at the Sydney Opera House, a time that's sure to prompt a little soul-searching amongst ANTM-ites. Questions such as "Will the series be renewed for 2012?" and "Will I, won't I, have my contract renewed"? Although no Foxtel announcement is as yet forthcoming, given that ANTM is the highest-rating Australian production on pay tv, the chances of a Cycle 8 are good. Josh Flinn, the show's model mentor for the past two seasons already has, we hear, a few other tv irons in the fire. So stand by to see if he becomes ANTM's next breakout star. In the interim, here is Flinn like you have never seen him before. Produced and art directed by Mother & Father PR as a frockwriter exclusive, the story was lensed by Sonny Vandevelde, styled by James Dykes, with hair by Natalie-Anne Ayoub and makeup by Rebecca Hatherly for Napoleon. Entitled 'The thin white duke', it was inspired not by David Bowie, but in fact Edward VIII, British monarch from January-December 1936, who became the Duke of Windsor following his abdication.

Given that the Duke of Windsor died of throat cancer, the cigarettes are more than appropriate. They're no props, however. But Flinn is not the show's only smoker. Judge Alex Perry, who recently described the fashion industry as "a glass of champagne and a cigarette", once had a 20 fag-a-day habit. Perry is currently trying to give up, which is probably a good thing given how many impressionable teenage girls watch the show.  







Sunday, 1 May 2011

Cassi van den Dungen won't be doing Alex Perry's show because it's not OK!


Less than 24 hours after we reported that Cassi van den Dungen would not be appearing at next week’s Rosemount Australian Fashion Week because she is four months pregnant, there have been a couple of developments. Upon learning the real reason why van den Dungen was mysteriously unavailable for runway bookings this season, frockwriter can reveal that earlier today, Alex Perry attempted to fly her up to walk in his show tomorrow morning. Perry, who cast van den Dungen in his Cuban Princess show at last month’s Melbourne Fashion Festival (above) and spoke to her agent this morning, has been told that van den Dungen is in fact five months along. “She won’t open it, but we’ve used her in shows before and I think she’s a really beautiful girl” said Perry this morning. “She’s five months pregnant. She’s probably not showing much. But even if she is, she’s still beautiful. Miranda walked for Balenciaga and she was fully pregnant”. We won't be seeing van den Dungen tomorrow, however, because Perry's plans have been nixed by OK! magazine, which bought the exclusive rights to the pregnancy story and won't release her from a contract which precludes any public engagements until May 14th. 

It's understandable that OK! wanted to protect its exclusive. However the magazine broke the story on Friday, the news is now in the public domain and OK! still has the only interview. In it, van den Dungen says that she hopes her critics react positively to the news. "I need people's support" she tells OK!. Shame she can't take Perry up on the offer. 

Perry, an Australia’s Next Top Model judge, has not always been so supportive of van den Dungen’s life choices.

As we reported back in 2009, the designer joined fellow ANTM judge Charlotte Dawson on Facebook to slam van den Dungen’s decision to turn down the Priscillas and Elite contracts after coming runnerup the Cycle 5 competition. 

But apparently there are no hard feelings. 

“She’s proved herself as far as I’m concerned" says Perry. "The Paris thing didn’t work out but that could just be an age thing. At 20 or 21 she might be a different girl. At the live [ANTM] finale, I said to her ‘I want you to be the one who wins’. She’s been in a relationship for three years. Who is anyone to judge?”



Wednesday, 16 March 2011

Alex Perry's Cuban revolution - LMFF 2011


Could Alex Perry have started something with his Spring/Summer 2011/2012 collection unveiling last night at the L'OrĂ©al Melbourne Fashion Festival? A consumer event showcasing in-season collections to consumers, LMFF is popular with designers because its runways present what is in store right now - with some retailers reporting 30-50percent spikes in business during the event. But a wholesale collection that is traditionally shown to buyers and press six months ahead of the season? That's usually the territory of Australian Fashion Week. In reality, Perry showed 'first summer' last night - that is, the first half of next summer's offerings. He still plans to show at RAFW in May. Perry will show 'second summer' at that event - and according to his wingman, Josh Flinn, the second collection will be a lot more elaborate. With the fashion cycle continuing to accelerate, retailers offering far more frequent product drops than ever before and the rise and rise of Resort and Pre-Fall collections internationally, perhaps it makes sense for designers to gain additional exposure via consumer events such as this, at the same time providing some real news value for the fashion media. 

And what a show it was. 

En route to the venue - the magnificent Victoria era Royal Exhibition Building - it felt a little like you were making your way to a big Paris show at the Grand Palais.

Entitled Cuban Princess, the well-edited collection took Perry into somewhat unchartered waters - and he told frockwriter backstage that this fact had made him a little nervous. 

"I've never done colour before - or at least not so much of it" noted Perry. 

Eye-popping turquoise, kingfisher blue, buttercup yellow, magenta, chartreuse and tangerine were deployed in an elegant series of minimalist evening gowns, many of them with sporty, racerfront necklines and simple fitted waists, others softly falling from the bust, Empire style, with embroidered straps curling delicately like tendrils over one shoulder. 

The evening glamour sequence complemented the collection's smart daywear of '40s-nosed, crisp white suits, sheath dresses in a pretty black and red floral print and some fresh-as-a-daisy white sundresses crafted from heavily-embellished lace.

A great cast that included the week's top girls, Rachels Rutt and Grasso, Cassi van den Dungen, Simone Kerr, Annika Kaban, Tiah Eckhardt and Vanessa Milde, with some special additions in the form of Australia's Next Top Model Cycle 6 winner Amanda Ware, Eliza Humble and of course, the star of the show, Megan Gale. 

Click (here) to see frockwriter's Posterous portfolio of 50 images shot backstage during the show.  

Friday, 16 July 2010

Australia's next top Photoshop job?

foxtel via sassi sam

As frockwriter’s Twitter flock may have spotted, last night we headed to the Australia’s Next Top Model Cycle 6 launch at the heritage-listed Inglis Stables in Randwick. The season begins on Tuesday 20th July at 7.30pm on Fox 8. Although we weren't exactly invited (we tagged along with a friend), co-hosts Alex Perry and Charlotte Dawson don't appear to hold a grudge over this blog's coverage of last year's Cassi van den Dungen fracas - which was ignited by incendiary Facebook comments made by Perry and Dawson and resulted in quite some publicity, not to mention the threat of a defamation suit against Foxtel by van den Dungen’s agent. The duo ran over to crash one model shot we were setting up, mugging for frockwriter's camera, with Dawson noting, “We thought you’d like to include us as well!”.



Presumably everyone at the launch connected to the show already knew the names of the final two, but was contractually obliged not to talk. According to Perry, the entire series, save for the live finale, is already in the can.

We did make some discreet enquiries and our money is on Amanda Ware (below) for at the very least a spot in the final three.



Best of luck to all the contestants. Win or lose, just being on the show is great exposure in itself. And remember, an ANTM rejection can in fact be a great career move. Here are some shots (below) of the runway show, staged to, amusingly, Jaydee's 1992 house classic Plastic Dreams.

With the tabloids looking for news angles beyond the runway, two controversies have already erupted: that over Facebook comments and a sexy Ralph shoot by Gold Coast meter maid Kimberly Thrupp – and claims that Ashlea Monigatti was told she was too big for the runway.

Host Sarah Murdoch has been at pains to point out the latter story was a beatup.

She told the Sydney Morning Herald yesterday:

"I was involved with the government last year on (a national strategy on body image) and at the time I thought it could seem like a contradiction to be hosting a modelling competition show, but I thought maybe it was a good way to send out some positive messages. For me, it was the journalist sending dangerous messages because (Ashlea’s weight) was never once mentioned in the show, and I find it really upsetting that it’s the same old argument every time and no one’s taking any notice of the fact that we’re not even talking about that."


Just on Murdoch, last night was the first time in over a year that many had seen her in person. She looked beautiful, in a yellow, Fifties-look Alex Perry sundress.

Solely for the purposes of a discussion about body image and the portrayal of women in the Australian media - because otherwise, it would be irrelevant - it should be noted that Murdoch also appeared to be discernibly heavier than when she appeared on the Cycle 5 show last year. Considering that she gave birth to her third child Aerin in mid April, of course this is hardly surprising. Some might well argue that she was on the very slim side before her pregnancy, so this could be seen as a return to a far more "average" Australian dress size.

What does come as a surprise, however, is when you compare images of Murdoch from last night to the promo image that is being used by Foxtel for this series (above), the top part of which is prominently displayed on the ANTM website.

Compare the Getty red carpet arrivals image below from last night - in which Murdoch is posed in more or less exactly the same pose as the promo shot and in a very similarly-constructed dress with a corset bodice - and a screen grab from the website.





Murdoch’s arms in the promo shot appear finer than her arms in real life. Her waist, moreover, according to frockwriter's measurements, is a full three millimetres smaller. We double-checked this using images of exactly the same size and there was definitely a difference. You could argue other parts of her image have also been retouched.

When was the promo image taken?

According to a Foxtel spokeswoman, with whom frockwriter spoke this afternoon, either at the end of May or early June, she could not recall the exact date. But most definitely this year - and not before Murdoch's pregnancy.

Are the ANTM promo images retouched? Yes they are. According to the spokeswoman, "All our images are retouched". Frockwriter is waiting to hear back on just which precisely parts of Murdoch's image were doctored (even if it seems fairly obvious).

Media outlets like Foxtel retouch images all the time of course. What's interesting here is the fact that Murdoch has taken such a stand on the body image debate in Australia, sitting on the federal government’s National Body Image Advisory Board and consulting on the government's Voluntary Industry Code of Conduct on Body Image that was released earlier this month.

One of the key points of the code concerns the fashion media, which is urged to (among other things):

- disclose when images have been retouched and refrain from enhancing photographs in a way that changes a person's body shape, for example, lengthening their legs or trimming their waist, or removing freckles, lines and other distinguishing marks.


- disclose images that have been retouched.

There is no disclosure on the Foxtel website that its ANTM images are retouched.

Murdoch is not only the host of the show, she is billed as its executive producer. If indeed the image was heavily retouched, how exactly would that send "positive messages" about body image, when she's considered "too fat" to appear on the ANTM website as is?


More than one party has called Murdoch out over a conflict of interest in even just sitting on the government’s Body Image Advisory Board while anchoring a reality tv show in which women compete against each other based on suitability for an industry which idolizes size 0.

So far noone appears to have mentioned that the Body Image Advisory Board is not the only board with which Murdoch is involved. Murdoch also sits on the board of the Australian Ballet. Last year, she even took a couple of ANTM contestants to the ballet as a special treat.

It’s worth noting that before she went on to modelling success, Murdoch studied ballet, a field governed by an aesthetic code arguably far more draconian than that which dictates the morphologies of runway models. She gave it up because she grew too tall to be a ballerina. It's an arena from which other ballerinas have been banished for being "too fat".

Murdoch told the SMH in 2006:
 
“If you have one minor thing against you, it could stop your career" .
Like many little girls, Murdoch took up ballet from a young age – by at least seven, reportedly. Unlike most girls who take up ballet, however, she was extremely competitive at it, entering her first eisteddford at the age of 12. From years 9-12 she boarded at McDonald College, a performing arts school in Strathfield. After academic studies all day, she danced every night, "often until 9 or 10" she told the SMH.

The Australian government's Voluntary Industry Code on Body Image makes zero mention of the worlds of ballet and sport - or the impacts that arguably the far more widely circulated images of superfit elite athletes could have on ordinary consumers.

And yet research indicates that eating disorders are rife in both ballet and sport. A study from the University of Minnesota, moreover, indicates that regardless of whether or not they pursue professional dancing careers, those who dance as children are at a far greater risk of suffering eating disorders such as anorexia once they become adults.