Christian Dior's little shop of haute couture

Highres images have yet to go up on the main sites and the real-time images via Twitter were few and far between. But behold the Christian Dior Fall/Winter 2010/2011 haute couture collection which has just walked off the runway in Paris, via Now Fashion, a website which publishes runway images in real-time. Glorious colours, theatrical styling, the show was literally set in a garden in Paris (visible in some shots through a plastic tent structure behind the rows of seating) and appears to have been inspired by exotic hothouse flowers. For images of the complete collection head to Now Fashion.

Hollywood's risk takers

reuters via daylife



Just a couple of personal favourites from last night's Oscars. Most of which, frockwriter notes, are already turning up on worst-dressed lists. In a sea of safe, so-so goddess gowns and meringues, however, we applaud their bravura: Charlize Theron, Zoe Saldana and Sarah Jessica Parker in haute couture, respectively Christian Dior, Givenchy and Chanel. Then there was Nicole Richie's quicksilver boho de luxe gown by Lebanese American designer Reem Acra. And the statuesque Kathryn Bigelow, who looked striking in her gunmetal Yves Saint Laurent sheath. Although the latter design was far more conservative than that of Theron and co, when you are the first woman in 82 years to be awarded a Best Director Oscar, who needs haute couture?















all images: daylife



sarah jessica parker/getty

nicole richie/getty

zoe saldana/AP

charlize theron/reuters

Galliano saddles up for Christian Dior SS10 haute couture

If you missed the shots coming in overnight, here are some excerpts from Christian Dior's magnificent Spring/Summer 2010 haute couture show in Paris, via UK Telegraph fashion editor, Hilary Alexander. Frockwriter does not have the benefit of the show notes to hand, but the equestrienne and Gibson Girl influences seem fairly self evident. Given that American couturier Charles James was however not born until 1906, Alexander's suggestion that James was active at the "turn of the century" should be taken with a grain of salt. Judging by the two-tone hair, one might assume that contemporary Irish aristo Daphne Guiness may also have been a muse.