Westfield spreads the LOVE

Now we know the name Katie Grand probably means diddly squat to the average Australian punter and, notably, the hordes of shoppers that Westfield is no doubt hoping will invade its gleaming new Pitt Street Mall development tonight for Vogue Australia's Fashion's Night Out festivities. But since frockwriter believes we left the punters behind when we were blogging for smh.com.au and news.com.au and we now have a hardcore fashion audience that knows its shit, we thought our readers would get a chuckle out of this first look at a new magazine that the world's largest listed shopping mall developer is handing out tonight in Sydney. Behold the cover of the first issue of the Westfield magazine, 100,000 copies of which have been published for Westfield by, amusingly, Vogue rival, ACP Custom Media.

According to a release, the 12-page issue is inspired by the concept of "love", with the heart graphic alluding to Westfield Sydney's marketing tagline, "the heart of the city". It was lensed by Australian fashion snapper Georges Antoni and showcases the work of 16 Australian designers and chefs. Here is another shot from the issue, below.

No mention of the recent cover of Condé Nast UK's new Katie Grand-edited fashion and style bible LOVE, shot by Mert Alas and Marcus Piggott and which featured Kate Moss and transgender model Lea T locking lips (see bottom):

georges antoni for westfield/supplied

LOVE magazine via styleite

LOVE in the time of dysmorphia

Frockwriter thought it seemed a little odd that Britain's Love magazine removed last Tuesday's shot of Australasian model Catherine McNeil from its Twitter feed. Originally published on the Condé Nast-owned magazine's TwitPic account (a photo hosting service connected to Twitter), together with the caption "Catherine McNeil is back!", the Tweet was nowhere to be found on Thursday. Coincidentally, earlier that day, we had published the original - apparently unretouched - series of digital shots of McNeil that were taken by McNeil's New York agency, Ford Models - and which had been supplied to Love earlier in the week. But while the shot slipped off Love's Twitter feed, the image had already been reposted by several web forums and blogs, including frockwriter and remains cached on Google images. Oh, and Love also neglected to remove it from the magazine's separate TwitPic feed. What's problematic about this shot? Could it have anything to do with the fact that a quick comparison of the two images suggests some Photoshop magic has been worked on McNeil's left arm? The version published by Love is on the left, above, with the original on the right. 

screen cap of LOVE magazine's twitpic

supplied by ford models

So, who retouched the image?

Difficult to say at this stage, given that neither Love editor Katie Grand nor Ford Models have responded to our communications. 

Just a reminder that McNeil, one of Australia's most high profile models, has been having a bit of a break from the modelling business for the past 12 months. According to Ford, however, McNeil is fit and high fashion-ready, having been "working really hard to get herself together. She's really determined". 

But apparently not sufficiently 'together' for Love's purposes. 

Clearly someone retouched the photo. If indeed it was Love, then of course by no stretch of the imagination would this be the only fashion magazine in the world to have manipulated an image to make a model or celebrity look thinner than she/he is in real life. It's the kind of endemic practice that has become a key focus of such charters and groups as Australia's National Advisory Group on Body Image, whose voluntary industry code of practice recommends the disclosure of all digital retouching. 

Meanwhile, Katie Grand's peers are dedicating more and more space to special body image-focussed editions. 

The June edition of Vogue Italia stars three plus-sized models and separately, Vogue Italia editor Franza Sozzani has launched a petition to combat pro-anorexia websites that encourage young women to be competitive about their body shape. The magazine claims to be attempting to promote healthy beauty standards and to help impress upon young women that being skinny does not equal being perfect.

"Catherine McNeil is iconic for her generation" - Doll Wright

ford models

Well at least one mystery has been solved regarding Catherine McNeil - one of Australia's best-known modelling exports who has been on a bit of a self-imposed career hiatus for much of the past year and who, as it now emerges, also boasts New Zealand citizenship and travels on a Kiwi passport. The photo of McNeil that was Tweeted two days ago by Britain's Love magazine, together with the caption "Catherine McNeil is back!", was not part of any upcoming photoshoot for the magazine, but one of a handful of new digital shots of McNeil that have just been taken by McNeil's new New York management, Ford Models (curiously, the shot appears to have now been removed by Love). Here are the rest, supplied by Ford, which contacted us overnight for a little damage control, presumably not terribly happy with Timo Weiland's unfortunate Twitter shot of McNeil that we published yesterday. But while Love has yet to book her, newly-minted Ford Models agent Doll Wright tells frockwriter that McNeil has just shot 25 pages with a major photographer for a major international fashion title. 

Wright declined to comment on the Weiland shot, in which McNeil is holding a beer bottle and her NZ passport, with a cigarette dangling from her lips. Wright was also unable to clarify whether McNeil is actually an Australian citizen or merely has permanent residency here.

But Wright did stress that McNeil has been "working really hard to get herself together. She's really determined. You can see what she looks like".

“She hasn’t shot Love or worked with [editor] Katie Grand yet" added Wright. "But we’re thrilled because obviously it shows that the support is still there. At the end of the day, the industry, at the level that’s she’s at and the calibre of people she has worked with, they respect her. Catherine McNeil is iconic for her generation. As a model, she will always be remembered for that and people at the top level of this business appreciate and respect the hard work that she’s put in for them. She’s worked her ass off for this business, she’s travelled the world non stop. On the back of Gemma Ward she helped put us on the map and maybe she had a moment where she wanted to take some time out.

"Life is a rollercoaster and these girls go through so much, they’re worked to the bone. Some burn out or fade out and are never heard of again. Or they do have some fire in their belly and they come back bigger and better than ever before. And in the case of Catherine McNeil, that’s what it’s going to be”. 

McNeil and Australian-born Wright are not Ford Models' only new antipodian additions. 

Wright joined Ford a week ago after recently resigning from New York rival Elite Model Management. And she has taken a swag of Elite’s Australian highprofilers with her to Ford: Julia Nobis, Lauren Brown, Bambi Northwood-Blyth, Ruby-Jean Wilson and Emma Balfour, in addition to Canadian Kate King and American Hannah Holman.

all images: supplied to frockwriter by ford models

Catherine McNeil is a Kiwi

timo weiland's twitter

Catherine McNeil is one of Australia's best-known modelling exports. The winner of the 2003 Girlfriend Model Search, at age 14, McNeil debuted on models.com's prestigious Top 50 Women list at number 26 in early 2007, the year her international career was springboarded via covers of both Vogue Paris and the American V Magazine. But who knew McNeil also had New Zealand citizenship? Apparently not even some in her Australian mother agency, Chic Management, until frockwriter's phone call this afternoon enquiring about an image of McNeil that was just taken by New York-based designer Timo Weiland and published on Twitter. In the rather unflattering shot, a cigarette dangling from her lips, McNeil is holding what looks to be a bottle of Corona beer in one hand and a New Zealand passport in the other. The Brisbane suburb of Coopers Plains is clearly stated as her place of birth, which would give McNeil automatic Australian citizenship by birthright - although that said, due to changes to Australia's citizenship legislation in 1986, only if one parent was an Australian citizen or had permanent residency. According to Chic Management, McNeil's maternal grandmother is a Kiwi and McNeil's mother spent many years living in New Zealand. We await further information.  

But what of McNeil's modelling career?

We know she recently defected from Chic's New York affiliate Next Management to Ford (and sources claim she recently attempted to move back).

Yesterday British magazine Love Tweeted a much prettier image of McNeil (below), with the caption "Catherine McNeil is back!" - suggesting that perhaps McNeil may be about to be featured in an upcoming edition of the magazine. 
 
If Catherine McNeil is "back", then for the moment that is apparently news to some in the industry, notably models.com. Although by July last year, McNeil had risen to the world number 12 spot on MDC's Top 50 Women list, in the interim she has progressively slipped further down the rankings, only to be totally wiped off the list altogether in recent weeks. 

love magazine's twitter

 
Australian model-turned-actor-and blogger Tanja Gacic recently asked me if models are "fair game". 

Gacic mentioned that she had first heard about frockwriter via the controversy arising over several posts which discussed the antics of several Australian models in their down time, out and about in nightclubs and at parties.

I assumed she was talking about posts such as this and this.

My response to Gacic: models are public figures. It is their choice to pursue high profile careers. This blog covers fashion news. Not all of it is going to be good. To quote a cliché, we don't make the news, just report it.

If you are a model and you going to allow yourself to be photographed off duty and you know that these images are destined for the public domain, then it's worth bearing in mind that they are likely to be scrutinised. And it's probably not a bad idea to think about your image. Because the prestige brands that you are hoping will pay you big bucks to be their ambassadors take theirs pretty seriously.